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文化協同創作方法是黑手音樂與社會實踐結合所展現的文化抵抗(culture resistance)。協同指涉相互投入為共同目標努力的「對等關係」,並非「擁有專業權威者」與「缺乏條件者」的「上下關係」。

 

文化協作是具體社會運動與組織的文化鬥爭,展現在歌曲、音樂生產關係和過程的「集體創作」,包括抗爭現場主流歌曲的挪用與改編、集體討論的創作歌曲,以及團員之間對於音樂風格的鬥爭與對話。文化協作亦是音樂操作能力的教學對話過程,為使工人、弱勢者得以掌握基本的彈唱發聲能力,為自己發聲。

 

 

Cultural collaboration as practiced by Black Hand is a form of cultural resistance, demonstrated by combining the band’s music and social practices. Collaboration means working together for the same goals in coordination, instead of following the hierarchy between the authority of expertise and the dispossessed.

 

Cultural collaboration is a realization of the struggles of social movements and organizations, which is expressed through the process of collaborative creation of songs and music. These include the adaptation and arrangement of songs used in rallies, songs created out of collective discussions, and the struggle and dialogue in musical styles between members of the band. Cultural collaboration is also a process of instructional dialogue in musical production, aiding workers and those neglected by society in obtaining basic musical skills to make their own voices heard.

以音樂介入社會運動的黑手那卡西成立於1996年,是一支由工人及工會組織者所成立的工人樂隊。

 

Participating in social movements through their music, Black Hand Nakasi Worker’s Band was founded in 1996 as a worker band consisting of laborers and worker union organizers.

 

黑手那卡西與底邊弱勢的音樂集體創作與社會對話

The collective work of music and social dialogue by Black Hand Nakasi Worker’s Band and marginal social groups, 1996 onwards

黑手那卡西工人樂隊

Black Hand Nakasi Worker’s Band

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